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Western Digital Data Lifeguard Diagnostics 1.36.0. Ariolic Disk Scanner is a portable freeware scanning tool for your external and internal hard. Macrorit Disk Scanner is a smart bad sector scanning software that can help you quickly test the disk and mark the location of bad sectors. DriveClone 11.10 Build 20150827 (WinPE10) - The Anti-Social Social Site since 2002 All In One Tweaks.It can be a built in ATA or SSD hard drive or external USB hard disk, or a flash card from your digital camera or the smartphone. MHDD logo MHDD Data Lifeguard Diagnostic. Now, if I could only work out how to add it. Disk Scanner is able to scan any disk which you see in Windows. Macrorit Disk Scanner is a third party disk surface portable tool for scan disk bad sectors which. A raw WinPE with just a file manager added would be great. I think it's a bit of overkill what I want it for though. 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A pair of LED-edged touch strips sits off to the left of the keyboard, where typically you'd find the pitchbend and modwheel. The responsiveness and velocity accuracy was probably the best of any MIDI controller that I've tested. The keybed is a Fatar semi-weighted model with aftertouch, and it feels very impressive from the get-go. There are three keyboards available, differentiated only by the number of keys: the S25, S49, and S61. I was curious to dig in and find out what Native Instruments' vision was this time around. This rightfully led many to begin drawing comparisons with Kore, even though it was made clear that Komplete Kontrol is a completely new product, with no built-in compatibility for Kore libraries or hardware. This made it surprising when, this September, Native Instruments announced the Kontrol S keybord series, a set of MIDI controllers designed to browse, play and control the Komplete instruments with the help of an integrated software environment called Komplete Kontrol. For reasons that remain unclear, Native Instruments retired the Kore ecosystem in 2011. Kore could browse and search the Komplete library, making it a key tool for many producers, myself included. For many, the answer to this was Kore, NI's now-retired modular audio environment with its integrated hardware. Getting your arms around all of this content when it comes time to actually make some music can be intimidating. The latest incarnation of the flagship music production collection, Komplete 10, offers 12,000 unique sounds across 39 different products. With a package as large as Native Instruments Komplete, it can be easy to get lost.A new standalone MIDI output mode turns every KOMPLETE KONTROL S-Series keyboard into a luxurious, fully-functional master keyboard.A convenient shortcut now lets you control the master volume of the KOMPLETE KONTROL software from your S-Series keyboard.See KONTAKT Instrument key switch names directly on the Clear View display.Adjust touch strip parameters and mod wheel functions directly from the hardware.An improved preset management system makes saving and recalling presets faster and easier.Arpeggiator Latch mode holds the arpeggio sequence even when you take your hands off the keyboard to tweak parameters, grab the next chord, and more.A new Touch Kontrol mode syncs to the host tempo for rhythmic delay and modulation effects.A new scale mode shows the notes of a scale on Light Guide without remapping the wrong notes, allowing you to add additional flavor to your melodies and chords.KOMPLETE 1.1 allows you to route and record the MIDI output from KOMPLETE KONTROL’s Smart Play functions into your DAW or send MIDI to outboard gear.KOMPLETE KONTROL 1.1 delivers more control and a more immersive hardware workflow. Includes text-to-speech support for parameters, tags and instance selection, as well as a training mode for locating controls. Refined and expanded assistive features for KOMPLETE KONTROL keyboards for visually-impaired users on both macOS and Windows.New hardware browsing lets you find your Native Instruments and NKS-ready products without having to look at a computer screen.New Smart Play arpeggiator parameters – Retrigger, Repeat, Offset, Inversion and Range parameters fuel the creation of more varied sequences in your music.KOMPLETE KONTROL MK2 support is scheduled for late 2017. Note: KOMPLETE KONTROL MK1 keyboards currently support Cubase and Nuendo. Native integration with Apple’s Logic Pro X / GarageBand and Steinberg’s Cubase/Nuendo software – open the DAW and enjoy easy configuration, rock-solid reliability, speed, and enhanced control.This free KOMPLETE KONTROL software update brings new DAW integration, hardware browsing, and more creative performance possibilities to your setup. On the table at the back of the area, you'll find your third artifact. You'll know you're in the right spot because the firm's logo is on the back wall.Įnter the Natalie and Vegiard Legal Group office's side room through the door on the left-hand side of the room. Instead, take a left into the Natalie and Vegiard Legal Group office. Once you reach the top, don't head out of the exit across the planks opposite you. When you're ready, head up the stairs next to the kitchen area. There's also a side room you can access from the kitchen that contains three bullets stashed on a desk, so feel free to grab them. On the opposite side of the room, you'll find a kitchen with a granola bar on the side. They shouldn't see you if you keep your distance. If you want to fight them, you should be able to win with some well-placed shots or melee strikes, but let's conserve some ammo for now and make our way past them quietly.įrom the room we took the first runner down in, exit through the archway on the left and sneak around the two runners. Either we sneak past the two runners chowing down on the survivor or we take them head-on. From this position, press SQUARE and Joel will choke him out, killing him silently. When you're ready, sneak behind the runner and hit TRIANGLE to grab him. Using it now, we can see that the runner to our left is alone and the other two are gathered around the dead survivor. The closer you are to an enemy, the clearer you can hear them and pinpoint their exact location. As the name suggests, it operates on sound. Listen mode essentially allows Joel to locate enemies from afar. Here, we'll learn how to use the Listen Mode. One of the runners will split off into the room to your left and the other two will feast on his corpse. On the other side, you'll see a survivor get attacked by three runners. Regardless of your choice, grab the two bullets by his feet.įollow the path behind you until you see a small hole in a boarded-up door that you can crawl through. You can either shoot the man, putting him out of his misery, or leave him to turn and save the bullet. His mask is broken, meaning he's going to turn. Head through the narrow gap to initiate a short scene where Tess and Joel meet a man trapped beneath some rubble. When you're ready to move on, head right and press TRIANGLE when prompted to move the nearby beam out of your path. When you're ready to move on, press CIRCLE and return to the main hallway. You can flip the pendant and read the name on the back by pressing TRIANGLE again. Next to the mattress, we'll find the first Firefly Pendant in The Quarantine Zone. We'll need these to upgrade our equipment later.īefore joining Tess, let's also head into the bedroom directly to her right. Instead, head into the kitchen on your right and look at the countertop to find three pieces of scrap. Don't follow Tess down the stairs to your left just yet. Take a right and enter the hallway ahead. After Tess has climbed the ladder, follow her up. Align Joel with the wall below the hole and press TRIANGLE again when prompted to lean the ladder against it. Hit TRIANGLE to pick the ladder up and then walk with it to the hole in the wall. There should be a hole in the wall above, but Tess will note the ladder's missing. Once the conversation is done, head northeast of the cafe entrance. Hit TRIANGLE and listen to them before returning to your objective. They'll say hi to Joel, triggering the optional discussion. Look for a pair of survivors leaning against a newspaper stand to your right. Before you go, we can actually trigger an optional conversation here. Tess will want you to take a left and head through the nearby checkpoint. Optional Conversation 01: Newspaper StandĪs you progress past the lineup of civilians being scanned, you'll arrive at a large clearing. There are a few things that'll catch your eye here (including your first look at how the military treats potentially infected civilians), so either hang around and have a look or follow Tess. Follow Tess through a nearby passage and onto a soldier-patrolled street. After a short exchange, the pair decide to track down a man named Robert, beginning our adventure.Īfter the cutscene ends, you'll regain control as Joel exits into an alleway. After Hometown ends, we'll jump 20 years into the future, with an older Joel meeting up with a friend called Tess. The reason is that Khalim's Will is the longest quest of Act and requires you to traverse multiple areas. We don't recommend you tackle these two quests simultaneously, even though they overlap slightly with each other. It'll take quite some time for you to get to this area, so before you head out, speak to Cain to activate the third quest, Khalim's Will. The Gidbinn is in one of the Flayer villages within the Flayer Jungle, a vast area with Flayers roaming around in packs.Unfortunately, the defensive magic is weakening, so he needs you to retrieve a sacred blade to revitalize the enchantment called the Gidbinn. Once you've completed the first quest, speak to Hralti, he'll tell you of the enchantment he placed on the Docks to keep the demons out of the city. The Potion of Life, when used, will give you a permanent 20 life bonus. Take this to Alkor, and he'll make a potion for you from the ashes inside the Golden Bird. Talk to Meshif next and he'll want the Jaded Figurine for his collection and, in return, will give you a Golden Bird Statuette. When you kill it, the corpse will drop a Jaded Figurine-loot it up.įrom here, you can continue to explore the Spider Forest to look for the Waypoint as a shortcut for the next quest, or you can teleport back to speak to Cain about the figurine. Head on through the jungle until you run into what will most likely be a group of Thorn Hulks with a Unique leading the pack. You'll run into the Dark Wanderer the first time you step outside of Kurast Docks-follow him, and he'll soon turn into a few Flesh Beasts. The first quest in Act III is a relatively easy one. Natalya: Another non-essential NPC, Natalya will talk to you about whichever quest you're on but will never be a necessary character during the entirety of Act III. Meshif: Meshif hangs around the town if you have to get back to Lut Gholein manually. Ormus: The magic trader of Kurast Docks, Ormus will be your healer as well as Wand/Staff/Scepter dealer. Hratli: This priest is the local blacksmith and sells high-quality armor, both magical and mundane. She also sells magical armor and weapons, as well as arrows and bolts.ĭeckard Cain: Cain will appear in the town square to advise you on quests and identify items for you. The dense jungle of Kurast blends in very well with the outline of your minimap, so before you continue your journey, we recommend you increase the opacity of your minimap for this Act to 90-100.Īlkor: The local potion meister, he'll also allow you to gamble.Īsheara: The local mercenary captain, you can hire the Iron Wolves from her. You'll have to move through the jungle hell surrounding the docks-infested with monsters and demons alike to stop the three Prime Evils from completing their plans. When Aguilera makes her brief appearance, she fits right into the retro feel with mascara-heavy lashes and a floppy hat. Christina Aguilera (Band Edit) (Official Music Video) Maroon 5. I love the lyrics especially Christinas, I also like how the song references certain things that can be related to Mick Jagger. I never thought I’d be doing it for two years even,” a young Jagger says, as the opening whistles of the Maroon 5 song kick in, throughout which a slew of Jagger look-alikes are shown dancing up to a central microphone, interlaced with archival footage of Jagger himself and shots of bandmembers James Valentine, Jesse Carmichael, Michael Madden and Matt Flynn rocking out on their instruments. 1 January 2011 2 Songs, 6 minutes 2011 Interscope Records. Christina Aguilera) Soul Seekerz Radio Edit 3:24. Christina Aguilera, produced by Party Tyme Karaoke.Do you want to view more Par. Christina Aguilera) Studio Recording from the Voice Performance 3:21. This is followed by classic footage of Mick Jagger, during which Michael Parkinson asks the iconic Rolling Stones frontman how long he plans to make music. Karaoke sing-along version of 'Moves Like Jagger'made popular by Maroon 5 ft. The video opens with black-and-white footage of a theatre. And it goes like this Take me by the tongue and I'll know you Kiss me 'til you're drunk and I'll show you All the moves like Jagger I've got the moves like Jagger I've got the moves like Jagger I don't need to try to control you Look into my eyes and I'll own you With them moves like Jagger I've got the moves like Jagger I've got the moves like. It peaked at number one on the Billboard Hot 100, becoming Adam Levine & co’s second number one (after “Makes Me Wonder”). Every stream quality is indicated next to the selected stream-name.“Moves Like Jagger” was first performed on an episode of The Voice, a singing competition which Adam Levine and Christina both judge. So about 1 MB/minute data traffic can be generated on your smart device by the average quality streams, but more with the 320 kbit/sec quality streams. Take me by the tongue and Ill know you (take me by the tongue) Kiss me til youre drunk and Ill show you. This depends on, and define the quality of the broadcast. For them, the use of online radios may be expensive, so be careful! Usually the broadcasts transmit between 32 kbit/sec and 128 kbit/sec to the user's device. The other disadvantage affects only those smart-mobile users whose data traffic is limited and have to pay according to their data usage. Moves Like Jagger - Maroon 5 featuring Christina Aguilera Maroon 5 36.6M subscribers Subscribe 599K 167M views 12 years ago Check out the new single from Maroon 5, featuring Christina. To prevent it, the most popular online radios, like BBC Radio 1, BBC Radio 2, BBC Radio 3, BBC Radio 4, BBC Radio 4 Extra, BBC Radio 5 Live, BBC Radio 5 Live Sports Extra, BBC Radio 6 Music, Classic FM, KISS, Magic, talkSPORT, Absolute Radio, Capital FM, Heart, Virgin and Smooth have alternative broadcaster servers, by using them, we can avoid the lag. Moves like Jagger is an electropop song with modern disco style elements and. The song was written by Adam Levine, Ammar Malik, Benny Blanco, and Shellback the latter two are also the producers. For example the broadcast can lag if the online listener number is very high, this can cause the overload of the radio server. It was released on June 21, 2011, as the fourth and final single from the re-release of the group’s third studio album Hands All Over (2010). Sometimes the online radio broadcasts have also disadvantages. Also we have radio archives, where you can listen to certain radio programmes again. By the previous playlists, the earlier broadcasted songs can be listened to again, and you can check what programmes will be broadcasted later. Thanks to the online way, the radios' previous playlists and future programmes are available on our UKRadioLive website and applications too. Depending on internet access, the online radios are available all over the world, without the difficulty of searching frequencies, with just one click we can reach our favourite radio! The broadcasts' quality is interference free, excellent, and continuous, while the FM radios highly depend from the area, terrain, weather and many other faulty factors. There are almost only advantages of the online radio listening compared to the conventional way. Screenplays are underfinanced, underdeveloped and producers approach their projects one by one, without any strategic continuity. Development is described as a critical point of the Czech film production system, responsible for the weak performance of Czech films at international festivals and on foreign markets. Based on more than 60 in-depth interviews with key Czech producers, screenwriters, and directors, the report shows how the typical business model of Czech film producers limits possibilities for more systematic screenplay development and for longer-term production strategies. It provides new interpretations of qualitative data collected for an industry report on feature film development, commissioned by the Czech State Film Fund. The study examines how Czech screen producers approach screenplay development as a collaborative practice. I make two suggestions: firstly that we might reconsider ‘originality’ as being a practical engagement with, and ‘re-writing’ of the orthodoxy and secondly that we might avoid the rigidity of linking authorship to certain roles, by considering on a case by case basis who might be thought of as ‘ le Responsable’. In this chapter I present an original survey outlining the Western orthodoxy (based on the doxa) in the form of a manifesto. What shapes this is the ‘doxa’, or the received wisdom about screenwriting that defines the screen idea and becomes the common discourse during development. I refer to the power of groups to create new work, something more than the sum of their individual parts, emerging through their collaboration as ‘sparks’. In this chapter, I discuss how we can recognise at least two views simultaneously-crediting the individual, alongside the centrality of creative group work-if we see the same thing as if through different lenses, offering different perspectives. The Artist’s Genius is then measured by the size and novelty of their contribution to the Work. It seems as if we still lean towards the notion of an inexplicable Muse inspiring the Artist, who then crafts it on to the page. We admire a writer’s ‘voice’, vision and talent, and think of group work as feedback designed to perfect that, to polish it up in ways suitable for production. We usually default to the idea of a single author, working within (and sometimes against) the rules of the game. This chapter examines whether, in screen idea development, we are right to focus on individual authorship as the source of originality in a situation that is observably a group activity. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. This book offers the first international look at how script development is theorised and practiced. Throw in Hugh Grant as a smarmy love-rat, Colin Firth as a bumbling gentleman and a script co-written by Richard Curtis, and you’ve got romcom royalty. Zellweger’s performance – British accent and all – is just highly believable her Bridget is one of us (although how an assistant at a publishing house can afford to live alone in a one-bedroom flat in London Bridge requires a little suspension of disbelief). That being said, it remains a charming and deeply relatable film, thanks mostly to double-Oscar-winner Renée Zellweger, who injects a lovable charm into her portrayal of the almost perennially unlucky-in-love Bridget. ‘Bridget Jones, wanton sex goddess, with a very bad man between her thighs…’īased on Helen Fielding’s newspaper-column-turned-bestselling-book about a loveable but perpetually single thirtysomething living in London, Bridget Jones’s Diary is very much a product of its time (hopefully today, we wouldn’t dare consider Bridget overweight or the fact that she’s single in her thirties a problem). □ The 100 best romantic films of all-time Written by Dave Calhoun, Cath Clarke, Tom Huddleston, Kate Lloyd, Andy Kryza, Phil de Semlyen, Alim Kheraj & Matthew Singer Even if you’re one of those people who pretends not to like romcoms, you’ll surely find something to love here. We considered all of it when compiling this list of the best romcoms of all time. Some are cynical, while others are just straight-up silly. Some are sophisticated, others saccharine. But as they say, love is a many-splendoured thing, and so are romcoms. Anyone who’s ever been in love, or wished to be in love, knows the odd things it can do to a person – there’s no emotion quite like it. In Depression-era Mississippi, two black men are framed for murder and sentenced to life in prison - and they spend the next 60 years bickering, arguing, and planning their big escape. In the privacy of their homes, though, those same snobs are surely drawing the blinds and silencing their phones whenever happening across a Nancy Meyers or Nora Ephron movie on cable during a lazy weekend afternoon.ĭo away with cinematic pretensions and it’s not hard to understand the enduring appeal of the romcom. Who doesn’t love a great romantic comedy? Sure, plenty of filmgoers stick their noses up at the genre, claiming they’d never degrade their highfalutin sensibilities by sitting through an insipid ‘chick flick’. It can even help you get online in countries where the internet is blocked or censored. In other words, private browsing mode is the default.īecause of the extra encryption and anonymity measures, Tor Browser can run slightly slower than other browsers, but in terms of staying invisible on the web, it's the best there is. Like DuckDuckGo's mobile apps, the Ghostery browser tells you exactly which trackers it's blocking, and how many monitoring tools each website has installedif you find certain sites that are. It’s as if you’ve never been there before when searching on DuckDuckGo. No matter your browsing mode, we do not track you at all. You must use DuckDuckGo to maintain your searches in private and out of the data profiles, government, and other legal requests. It also blocks fingerprinting, a method where advertisers attempt to recognize the unique characteristics of your device across multiple sites, even if they can't tell exactly who you are.Īt the end of each browsing session, everything gets wiped, including cookies left behind by sites and the browsing history inside the Tor Browser app itself. Available throughout the biggest platforms like Safari, Firefox, Chrome, and Android. The Tor Project routes your web navigation through a complex, encrypted network of relays managed by its community, making it much harder for anyone else to work out where you're going on the web.Īs well as this additional layer of anonymity, Tor Browser is super-strict on the sort of background scripts and tracking technologies sites are allowed to run. The browser app for Android, Windows and macOS is actually part of a bigger project to keep internet browsing anonymous. 8.01 at Amazon Pros + Zero online tracking + Fast and easy installation + Smooth, bloat-free functionality Cons - Limited customization options - Unattractive search results Why you can trust. |
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